Gertrude Reum, Untitled  / Untitled, 1997 / Undated, Würth Collection, Inv. 17267 und 16793. Photo: Philipp Schönborn, München

Exhibition Preview

The Principle of Transformation – Gertrude Reum
Würth Collection and Loans

Museum Würth, Künzelsau

from April 27, 2026 to January 25, 2026

11 a.m. - 6 p.m. daily

Admission free

 

In her paintings and sculptural work, Gertrude Reum explored elusive phenomena such as light, time, movement, and space. While her early works still depict realistic and figurative motifs, the artist took entirely new paths with her sculptures.

The material plays a major role in this, often being unusual and demanding—such as cellulose, an industrial intermediate product. Through cutting, tearing, moistening, and drying, she created reliefs that appear archaic, earthy, and eruptive. Beyond these works, metal sculptures dominate Reum’s oeuvre. Stainless steel, aluminum, and brass rank among her preferred materials. With exceedingly fine incisions, she inscribed paths of light into the metal that—depending on the viewer’s position and the direction of light—generate a vibrating, constantly shifting visual impression. Her persistent refinement of these light lines ultimately led to her monumental stainless‑steel sculptures. Several tubes, some rising up to six meters tall, twist and branch upward into space. With these late works, the artist, who was born in Saarbrücken in 1926 and died in Buchen in 2015, created that unmistakable style which became her artistic signature.

 

On the occasion of her centenary, Museum Würth honors Gertrude Reum with a comprehensive exhibition showcasing works from all phases of her creative career.

Gallery

On a gray, metallic surface, a fissure-like incision runs from bottom to top, reminiscent of a canyon.On a gray, metallic surface, a fissure-like incision runs from bottom to top, reminiscent of a canyon.

Gertrude Reum, Aufbrüche, 1991, Würth Collection, Inv. 3869. Photo: Volker Naumann, Schönaich

Two silver sculptures made of wildly intertwined metal rods stretch toward the sky

Gertrude Reum, Untitled / Untitled, 1997 / Undated, Würth Collection, Inv. 17267 and 16793. Photo: Philipp Schönborn, München

Metallic-looking, digital struts extend in a horizontally ascending strand across four silver pictures.

Gertrude Reum, Verbindungen, um 1994, Sammlung Würth, Inv. 2775. Foto: Volker Naumann, Schönaich

Digital struts with a metallic appearance traverse the silver image in a vertical strand.

Gertrude Reum, Verwandlungen, 2003, Privatbesitz.. Photo: Fotoatelier Bernhard e.K.

A watercolor with wild lines over an orange surface, where the distribution of colors creates the impression of a horizon

Gertrude Reum, Untitled, 1990, Würth Collection, Inv. 17261. Photo: Volker Naumann, Schönaich

A sculpture composed of metal strands ascending towards the sky

Gertrude Reum, Aufwärts, 2011, Würth Collection, Inv. 17136. Photo: Volker Naumann, Schönaich

Brochure
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